• Miroir noir (Black mirror) 2011

    Miroir noir (Black mirror) 2011

    Photo and sound performance,variable size.

    This work was made during a residence at the Château de la Roche-Guyon and financially supported by the Val d’Oise Community. Previous collective show in Spring 2012. Starting from a survey on the points of view, 22 people interpreted the garden through a black mirror.

  • Élévation (Elevation), 2010

    Élévation (Elevation), 2010

    Series of numerical color photographs, 80x120 cm.

    The pictures are the results of a tension between nature and urban space.

  • Cassures (Cracks) 2002 / 2008

    Cassures (Cracks) 2002 / 2008

    10 pictures, numerical, color, variable size.

    The cracks materialize the event pictures which can be seen in the newspapers through a new appropriation by the means of gesture and picture.

  • Mes pommes (My apples) 2007

    Mes pommes (My apples) 2007

    Installation with 86 marked apples, on a table made of cork and hardboard. 100cm x 700cm x 90cm.

    This work was financed by the EPPCC Château de la Roche-Guyon. The apples were produced by the Orchards of Ableiges.The marking of fruit is a technic which was developped in the XIXth century. For this installation I used this technic to create  chimeras, half apple, half human face. Narcissic and mortuary objects whose destiny is to disappear.

  • Échappe (Escape) 2007

    Échappe (Escape) 2007

    Series of 12 photographs, numerical, color, 60x90.

    Each people had to photography themselves, eating an apple and could take as many photos as they wanted.

  • 1/60ème (1/60 th), 2006

    1/60ème (1/60 th), 2006

    video installation, numerical, colour, shown uninterrupted , variable size.

    In an empty room, on a black screen on the wall.

  • Persiste (Persiste) 2005

    Persiste (Persiste) 2005

    Double projection facing each other, color slides on two phosphorescent screens, variable size.

    In this work, the photograph is part of a luminous installation. The portraits are projected in a dark room on phosphorescent screens where the accumulation of the pictures distorts the faces which become monstruous.